Forbidden Childhood – Ruth Slenczynska (Doubleday, 1957)

I might as well start off by stating that this will be a pretty boring post. And the reason for that is that i know absolutely nothing about this dust jacket. It feels like i pretty much always say that so this situation is nothing new of course, but usually it’s possible to read up a little bit and find bits and pieces of information or other stuff that i find interesting enough to include. This is not the case this time. I’ve spent quite some time during the week staring at drawings of pianos and trying to find anything at all but sadly i’ve been stomped this time… And there’s not really an interesting story about how and where i found this sooooo… i guess we’ll see what we end up with here.

Like any random serial killer or criminal i’ll stick to my standard modus operandi and start with some basic facts. The title of the book is Forbidden Childhood and was written by Ruth Slenczynska together with Louis Biancolli, the book was published in 1957 and is yet another example of the relationship between Doubleday and Andy Warhol at this time. It’s basically a book of memoirs and if you want to get technical it also comes with the tagline or whatever is called “The frank account of a girl’s struggle to free herself from the strangle hold of her tyrannical father”. Ouch! That’s a pretty straight forward review of her childhood and her thoughts about her father. And from what i’ve read it seems she has every right to be pissed off. Apparently her father Joseph Slenczynski, a musician and violinist, was hell bent from day one that his daughter would become a famous musician. From what i understand she was pretty much forced to start playing the piano at age three which is pretty remarkable. My daughter is soon to be four and though she enjoys strumming, pulling and occasionally destroying the strings on my guitars she still prefers the colorful glockenspiel thing with ten or so keys… So, it must have taken some serious dedication from the father, i’ll give him that. Anyways, forced to practice relentlessly for hours and hours everyday she apparently started more serious piano studies by the age of four and played her first concert at age six and then a year later at age seven she did her first concert with a full orchestra with critics calling her the greatest child prodigy since Mozart. Seems she was also beaten senseless for mistakes and bad reviews, over which she of course had had no control herself. Speaking of critics i’ve also read that because she played such complicated arrangements the media sometimes speculated that she was a midget. All of this is both impressive, disgusting and disturbing at the same time and you can’t really argue with the use of the words “tyrannical father”…

Anyways, i’m not sure to what extent she wrote the book herself but when it comes to Warhol and his dust jackets she is unique in the sense that i think she is the only still living author who has a book published with a dust jacket by Andy Warhol. There are a couple of other authors like David Alexander, Dick Ashbaugh and Walter Ross that i’m not really sure about and where it’s hard to find any information about them. But if you look at their “Warhol-dust-jacket-books” they all have their picture on the back and though i’m pretty bad at guessing peoples age i would still guess that by now all of them have passed on. I don’t know how much she cherishes the fact that her book has a AW designed dust jacket but yeah, she is unique in more ways than one.

As said this was published by Doubleday and if i’ve done my homework this is the fifth book for which Warhol designed the jacket for them, the previous being Pistols for Two, The Saint in Europe, Who Cooked Mother Goose? and The Runaway Pigeon. Besides this Doubleday edition the book was also published in the UK in 1958 by Peter Davies using the same jacket design. This was a fact i was unaware of before Guy Minnebach informed me about it and also pointed out the small differences. And small differences is right, as said the front cover is identical and on the back there is just a couple of very minor changes in coloring and the addition of some more text on the UK edition. The only “big” difference is one the title page or whatever where the Doubleday edition has the outline of the piano drawing and the Peter Davies edition has a photo of a very young Slenczynska playing the piano. There are some good images of the UK edition in this quite recent listing on ebay.

Anyways, i don’t know which of these editions is most sought after but as with everything else i would assume it’s this “original” one by Doubleday. So unlike what happened with my copy of The Adventures of Maud Noakes where i  didn’t know there were two editions using the same cover design i was lucky this time to score a cheap original. This is also something as rare as a Warhol dust jacket that’s pretty easy to find, ever since i started collecting them i’ve come across a lot of copies. However, considering Slenczynska’s fame and notoriety i think this book also attracts attention from people who are totally uninterested in Andy Warhol but instead want it for it’s “true intention” and it’s place in music history or whatever. So…. there are plenty available at Amazon and other places but a decent copy with the jacket intact will probably start at $150. If i remember correct i ended up paying an almost embarrassing $5 for this copy and this was also something that just appeared in my wish list one day. It’s an old library book with the usual stamps and markings and the description said: “Ex library, taped on jacket protector (with consequent tape residue), call# on jacket (not on book), stamps on top edge and title page, card pocket in rear, taped hinges, broken spine, first 98 page section has separated from spine, needs glue repair, otherwise unmarked an clean”. This of course sounds absolutely terrible but as it turned out this was a pretty conservative grading by the seller. Granted if you open the book it’s anything but good and looks like it’s about to fall apart into a million pieces. But i have no intention of flipping though the pages reading and further destroying this book, and when closed up it’s looks to be in excellent condition so i intend to keep it that way. Personally i am not a fan of these collage-style designs mixing drawings and photographs and this is probably the main reason that i haven’t gotten a copy and decided to wait until i could get one at a bargain price. And that time was now and once again slow and steady wins the race.

Whatever my thoughts about the cover i’m very happy to finally be able to put this down in my collection as number 15 out of 17 known dust jackets/book covers. I can’t really wrap my head around how fast all this has moved along. And i realize that in some cases i’ve been extremely lucky seeing as with a lot of the books the only copy i’ve ever seen is the one i got a hold of. There is one more pretty interesting thing about this cover, but i’ll leave that as some kind of a cliffhanger until i know more about it and get to hear what my compadres in the WCCC have to say. And unless something really spectacular comes along this will be my last post for a couple of weeks. We are currently in the process of moving to a new home and all of my Warhol stuff is already stored away at a safe place to keep it away from potentially messy and sloppy movers throwing boxes around without a care in the world…

So… more stuff coming up in july!

forbidden-childhood-warhol-1
forbidden-childhood-warhol-2
forbidden-childhood-warhol-3 forbidden-childhood-warhol-4 forbidden-childhood-warhol-5 forbidden-childhood-warhol-6

Advertisements

The Strange Case of Lucile Cléry – Joseph Shearing (Doubleday/Dolphin Mystery, 1963)

I’m going to try and set the mood for this. And i realize that since the title of the book is also the title of this post it’s perhaps not the easiest thing to try and build suspense and anticipation… But let’s try. In lack of a better song and even though it’s pretty overused or whatever go set this tune on repeat and then continue reading.

This is a pretty big deal for me. Why? Well, this will most likely be the closest i will ever get to post something “new” and previously unknown. It’s not entirely unknown though, but i’m pretty sure that to most people interested in this stuff (which seems to be an entire handful of people) it will be news in one way or another. This book is not mentioned anywhere in any of the articles and stuff which feature this area of Warhol’s work. It’s also not mentioned in the catalogue for the exhibition Reading Andy Warhol. It is however on display at the current show Warhol by the Book so to those that have been to see that great show i guess it’s not really news. My dream of finding something totally new will have to live on though because sadly this wasn’t my discovery. And i believe in giving credit where credit is due and as with a lot of other things i have to thank Guy Minnebach for giving me the heads up. As i recall he found it on ebay where it was listed together with the words “warhol cover” and eventually got it for chump change. At the time i was pretty amazed that i had missed it considering all the saved searches i keep but i guess one can’t keep track of everything all the time. Anyways, i was going through some old emails and oddly enough it’s pretty much exactly one year ago that i found out this book existed. I got an email from Guy about his find on 6/5-2014 and even though i found it about a month ago it wasn’t until a couple of days ago that i finally got to hold it in my hands. There are plenty of books that i have spent a lot of time looking for but nothing compares to the time spent on this one. I really have spent a HUUUUGE and almost unhealthy amount of time looking for it so to finally find it was almost a surreal experience and a pretty fantastic anniversary gift of sorts.

Where did i finally find it? Well… i wish there was a great and exiting story here but there really isn’t. One afternoon during one of my OCD checks of my wish list on Amazon it was just there… There are a couple of different editions of this book and as usual in these cases i thought that the seller has just incorrectly listed one of these other editions under the one i’ve been looking for. And even though it was listed under the Doubleday edition and had the correct cover image the image shown was an old one that i recognized all to well. This image was uploaded by some woman that i actually stalked and contacted more than six months ago only to find out that her copy had been sold as part of a big collection and that she had only uploaded the image for some reason. Anyways, after just a quick look and seeing as the description featured the word “Dolphin” it became obvious that this was actually the real deal and after a couple of skipped heartbeats followed by my usual fumbling and panacking with the phone i had placed the order. Since this has basically been my biggest unicorn to date i didn’t bother to waste time waiting for images and even though the description featured wording like “cover has bumping, scuffing and dust smudging… lightly tanned” and so on i pretty much had to take a chance and jump at the opportunity. I must say that a lot of sellers of these paperbacks are pretty conservative in their grading of the books. But i can’t complain, without a doubt this looks pretty damn good for a +50 year old paperback.

So… what do we have here? I guess this is pretty self-explanatory but the title of the book is The Strange Case of Lucile Cléry and it was written by Marjorie Bowen under the pseudonym Joseph Shearing. I did not know of this author before this but it seems she enjoyed writing quite a bit and also kept herself busy doing it considering her total output exceeds 150 volumes/titles or whatever… This was originally published as Forget-Me-Not in 1932 and as said there a couple of other editions among which the edition published by Pocketbooks in 1949 is the one that has pretty much always been the one i’ve been sent images of when asking sellers about copies listed without any mention of the edition or year and so on… Anyways, the edition that is of interest here was published in 1963 by Doubleday on the imprint/printer’s mark/colophon or whatever it’s called Dolphin/Dolphin Mystery. This will also not be the first time that i have to say that i don’t know anything about this design. But unlike a couple of other books where i’ve been able to piece things together i’ve not been able to find any information about this whatsoever, nor have i been able to find any similar style drawings by Andy Warhol so this is pretty cool. And once again i’ll also have to say that i would never ever not in a million years have looked at this book and thought that the drawing might have been done by Warhol.

I do know one thing though that is pretty interesting. And that thing is a guy named George Giusti and this might actually be worthy of a future and more detailed post but anyways… The credit on the back of this book states “Cover design by George Giusti, Cover drawing by Andy Warhol” which is exactly the same as on Manon Lescaut and The Red and the Black, both of which were also published by Doubleday/Dolphin. I haven’t found any good information on this George Giusti other than that he was inducted into the Art Directors Club Hall of Fame in 1979 and that if you image search him you will find a ton of stuff. I have no idea if there was any kind of business or creative relationship or whatever between Warhol and Giusti during this time but i would guess that Warhol was just asked to do a drawing for a cover and that Giusti was in charge of cover design at Doubleday at the time or something along those lines. It is pretty interesting though, and of course it’s far from a crazy thought that if there are three books, hey… there might be four. Or five. Or any number of others… For anyone getting the same thoughts i can save you a lot of time and effort by saying that i have already spent countless hours staring at images on Google. And i will most likely continue… Don’t take my word for it but there are no obvious others that i have found so far.

As always i need to say something about the condition and all things considered it’s pretty spectacular! There is some minor smudges and things like that but the binding is solid and not much else to mention. Naturally i would have settled for a copy in any kind of condition but to be fortunate enough to find one that’s in as great shape as this is pretty thrilling! And even though i’m still trying to do this thing on a tight budget i would have payed a lot for this book had it been necessary, so i’m almost embarrassed to say that it only cost me $11, poor seller… I don’t want to sound like more of a dork than i probably do but once i opened the package i held this in my hands like it was a newborn baby and just stared at it while my better half was doing an equal amount of staring at me asking what the hell it was that was such a big deal about a stupid book… But anyone into any kind of collecting can probably relate to the feeling of finally seeing that “holy grail item” sitting there on a shelf, and it’s a great feeling! But it also leaves you (or at least me) with a strange empty feeling. Even though i’ve not spent hours and hours straight looking for this i’ve still thought about this book every single day for almost a full year. And as with any race it’s of course extremely satisfying and a lot of fun to finally get to the finish line but at the same time it also leaves you with a feeling of “what now”? Luckily i do have two more books that i need to find. In a way i’m dreading the day when i have all of the dust jackets and might have start looking into starting collecting magazines… That will not be good for finances.

As said this is featured in the exhibition Warhol by the Book and Guy Minnebach had told me that it would be in the show before it opened and i saw this as both a good thing as well as a terribly bad thing. A good thing because it might raise awareness and finally make the book show up on various sites. And of course a terrible thing because this might also make prices rise to where i could not get a copy. The show has not been on for that long but so far it seems i was wrong about the awareness part but i’m really hoping that it helps raise interest in this area of Warhol’s work and that maybe more copies of this, and the other books as well, will become more available.

In conclusion – The unicorn has been caught! Now i just need to find the mermaid, dragon, phoenix or whatever i’ll decide to call the missing ones…

the-strange-case-of-lucile-clery-warhol-1
the-strange-case-of-lucile-clery-warhol-2
the-strange-case-of-lucile-clery-warhol-3

Pistols for Two – Aaron Marc Stein (Doubleday, 1951)

This is another post that i was beginning to have doubts about ever getting to make. Ever since i first started to read up on this area of Warhol’s work this dust jacket has been right at the top of my list. And natually it’s also been one that i’ve had the most difficulty in finding. All i could find were some old listings on etsy and some other site, both already sold and also with a price tag in the hundreds of dollars… I think those were from the same seller and he also offered me another copy in pretty bad shape for $350 if i remember correct, an offer i did not bother to follow up on.

Since many of these dust jackets are a rare find on ebay i’ve had to find other hunting grounds. And none of the most obvious ones like Amazon, Abebooks and Alibris have a neat little app that gives you notice when something you’re looking for is available. This has resulted in me developing an almost OCD kind of behaviour where i need to check my lists and search these sites many, many, maaany times a day. Good thing i don’t have THAT many to look for anymore or this thing might turn into something unhealthy… Anyways, standard procedure is that i have a quick look when i wake up, then again when i get to work and so on… And in this case all the magic happened in the few hours between one of these checks.

In the beginning of August i made this post about my attempts to fish for this book at different rare book forums and as expected this didn’t result in anything. Then i couple of weeks later i found out that ebay also had a community kind of thing and i made a post in the booksellers forum there. The post i made has now been deleted and i also got some kind of warning from ebay for posting a “wanted add” or whatever they called it… Anyways, i asked about other sites than ebay to look for rare books and one of the suggestions was the site Bookfinder that i’m already a frequent user of. The user had also included a link with a search for this book ready to go and even though i had already looked everywhere just a couple of hours before i clicked it and to my surprise there were now two hits instead of one! And amazingly the asking price was just $50 or something like that… I can’t remember exactly what was in the listing but i think words like “spots” and “soiling” was mentioned and something about a “black edge cover” or something like that. The few readers of this blog probably know by now that i’m not that picky about the condition of things and a couple of spots and some soiling is probably something i could live with, but the “black tape edge cover” thing had me a little concerned. I’ve since learned that this edge thing is there to protect the jacket from tearing. But at this time i didn’t know what to make of it at first, i couldn’t see that there might be two different covers to this book. But then again, who knows about these things…   Eventually i got to see some images and then any worries i might have had could be laid to rest. Not only was it the cover i was hoping it would be, it was also in absolutely fantastic condition! So… even though i would most likely have found this anyway later in the day had it not already been sold i thought it was pretty amazing coincidence.

It’s no shocker to anyone that i don’t know that much about the dust jacket… The obvious facts in this case is that it was published in 1951 by Doubleday as part of the Crime Club series popular at that time. As far as i know Warhol designed the dust jacket for three books in this series, this being the first one and the others are The Runaway Pigeon and The Saint in Europe, both published in 1953. The author is Aaron Marc Stein who also wrote under the name of George Bagby and seems to have specialized in mystery fiction. I have found another image of what seems to be an early draft of a cover at this site. As with the alternative covers to The Runaway Pigeon this one also seems somewhat finished with the title and the name of the author present in the design. There are also some other images in the same “series” or whatever it’s called, the style and subjects are very similar to the one on The Nation’s Nightmare which was also released in 1951 and an original drawing is up for grabs for anyone with some cash to spare. I’ve also found one or two other “pistol images” like this one from a book of Warhol’s drawings from the 50’s. But that’s about it…

About a month or so ago this also made it’s debut on ebay, at least in the time since i’ve been collecting these. The first time around the starting bid was $500 and it didn’t sell. The same book was then up again and this time at $400 if i remember correct and i’m pretty sure it didn’t sell that time either. So it might be back soon, third time’s a charm perhaps?

When it comes to the condition i think the images speak for themselves, this really is in spectacular condition! Without a doubt the best one in my collection so far. At least of the ones i’ve found myself so to speak, The Runaway Pigeon and According to the Evidence are also in great shape, but i can’t take full credit for finding those two copies… Anyways, i’m pretty thrilled that i was able to find this particular book in such great shape, both because i believe it to be quite rare and also because it’s such a cool looking dust jacket and a personal favourite! It’s in a standard plastic protection thing and the only small little thing about the condition is that the front cover is a little uneven under this plastic. It’s only visible when looking from a certain angle and… well, who cares!?

Oh, and note the misspelling of Warhol’s name – Andy Warhaw…

Pistols-For-Two-Warhol-1 Pistols-For-Two-Warhol-2 Pistols-For-Two-Warhol-3 Pistols-For-Two-Warhol-4

The Runaway Pigeon – Leslie Edgley (Doubleday, 1953)

Exciting times ahead! There’s quite a lot to be told about this book and how i got a hold of it and i don’t really know where to start. But i’ll start with how i first became aware of it. I started my book collection sometime in the early summer of 2013 and based on what little information i could find online i thought there were maybe ten or so dust jackets to be found. I also put up a saved search thing on ebay for “Warhol book cover” or something like that which didn’t result in anything even remotely interesting for the first couple of months. But then finally in the beginning of september i woke up to find this listing for a book that i had never seen or heard of before. This was of course quite intriguing as i thought that the articles i had found on the subject pretty much covered all known dust jackets, but apparently this was not the case.

Somewhere around this time i also got an excellent list from Guy Minnebach with various books that Warhol had either designed the jacket for, published privately, done illustrations for and so on… Of course this book – The Runaway Pigeon – was on this list among with maaaaany more dust jackets that i had no idea about, making the total around twenty. Anyways, as i remember it the auction generated quite a bit of interest and it quickly became obvious that i would not be able to win it and the closing bid was eventuelly around $215. This is the first and only time i’ve ever seen this book anywhere. And trying to find anything about this cover has proved to be almost impossible, no images (except for the ones from that old auction), no mention in any articles, no nothing really… So it almost feels a little bit like i’m breaking new ground or steering through uncharted waters here. Not really though, but kind of…

Anyways, that’s that about how i found out about the books existence and on to what i know about the cover, which besides the obvious isn’t much. It was published in 1953 by Doubleday and as with The Saint in Europe and Pistols For Two this was part of the Crime Club series. I’ve been able to piece together a little bit more about the design. At the National Gallery of Scottland’s website there are a couple of drawings from a series that Warhol did specifically for this book cover, see images here, here and here. Most of these as well as the design used for the actual cover show the same kind of featureless faces and some also with various namnes of cities, note the misspelling of “Chicago” in the first image where it’s spelled “Chiggo” or something like that. The first two drawings look like, at least to me, somewhat finished designs that would be ready to put on a dust jacket. And i quite like the first one. There has also been a supposed original of one of these drawings on ebay for over $20 000 for a long, long time. And it’s still there now. The name “The Runaway Pigeon” was as far as i can tell only used in the US whereas the title “Diamonds Spell Death” was used outside America. I have no further details on the non US edition other than that there’s two listings on Amazon UK. The first one has the publisher as “Barker” and the other one has it as “Arthur Baker”, both published in 1954. I guess one of these might just be a typo and that the publisher is actually the same. I also have no idea what the cover for this other edition looks like, but it would be interesting to find out.

So… where did i find this? Well, i didn’t really. It kind of found me. Sometime last autumn after i got a hold of the booklet to On Record: 11 Artists i was offered a trade by Guy Minnebach. I’m not goind to reveal the details just yet since that will spoil what’s to come but as i remember this book was not part of the initial deal. Anyways, even though i was tempted to accept this initial offer i had just gotten my hands on the booklet and felt that i wanted to play around (read: look at it) with it a bit more. It was also the first thing that i had found that the other members of the WCCC had not seen before, with the exception of Guy of course, so for some reason i kind of liked the feeling of just having it around. Then as time went by i started to get a hold of more and more of the dust jackets. This was of course a lot of fun but at the same time it became obvious that a couple, like this one, would prove extremely difficult to find. And as with the record covers i’m trying to do this thing on as tight a budget as possible. I can’t remember when or exactly how things played out really but a couple of months ago or so i think Guy came back to me with a new and improved offer. I still really liked the booklet and i think it’s a really cool item but this time i just couldn’t turn down what i was being offered. So, this is part one of a really great and exciting trilogy of stuff to come… Well, it’s in fact more like 3½ but let’s say it’s three amazing items and ½ that’s a little less heart raising.

Thanks so much for this amazing trade Guy, and i was very glad to hear you were also more than happy with it at your end!

Finally something about the condition. There’s really not much to say since i think it’s in spectacular shape! Without a doubt one of the best ones in my collection so far. The only thing (and i’m not really sure this even is an issue) is that compared to the images in the old listing on ebay the pink typography on my copy is much brighter. I find it a bit strange that just the text should be faded since the colors on the rest of the jacket are still bright so i don’t really know what to make of it. I did play around a little in Photoshop with my images and it’s an easy thing to brighten the text so maybe that’s what the seller on ebay did to improve the look of his copy. It’s hard to tell since i haven’t seen any other images of this cover online. Whatever the case this is nothing that bothers me at all and i think it’s an amazing looking cover and when it comes to “rareness” i definitely have a new number one in my book collection. Thanks again Guy, love it!

The-Runaway-Pigeon-Warhol-1 The-Runaway-Pigeon-Warhol-2 The-Runaway-Pigeon-Warhol-3

Who Cooked Mother Goose? – Dick Ashbaugh (Doubleday, 1953)

I guess you might call this an anniversary gift… I keep a wish list on Amazon for some of the books that i’m still searching for, kind of like the ebay saved searches kind of thing. But on Amazon you don’t get a message when something new on your lists are made available, or maybe you can but i haven’t been able to figure that out. So i usually check my list a couple of times a week and most of the time there is no new activity at all. There has been one copy of this, without the dust jacket, on Amazon for as long as i can remember but then a couple of weeks ago i noticed that there were now two copies available. Expecations were low since it does happen that something new is listed but then it’s usually for a totally crazy asking price. Luckily this was not the case this time as the seller was asking a quite healthy $40-50 for it.

The only other time i’ve seen this book before is on an old listing on Etsy. But on that site you can’t see what the price was once it’s sold so i have no idea if i made a good deal or not. But my gut feeling is that this is somewhat rare and also that i made a pretty good deal, at least i certainly don’t feel i got ripped off.

This arrived just a few days ago and with easter and birthdays and whatnot i’ve been busy with other things so i actually haven’t had time to check it out that much so i don’t really know what the book is about. But i think it’s something like a collection of humorous observations and stories of the authors day to day life with his wife and three daughters. I found a short review here but i’ll have to check it out more myself later…

I didn’t get to see any images of the dust jacket before i got it but the seller said it was “acceptable” but i have to say that by my standards it’s more than OK. I would assume that finding perfect copies of many of these books would be almost impossible. With the record covers i guess there are people here and there that have treated these with great care and seen them as collectors items from day one but with books… i don’t know, i just don’t think that enough people viewed them in the same way. It’s a bit beaten up here and there but nothing really major and it also has a protective plastic cover which is nice.

Written by Dick Ashbaugh (who i’ve had a little trouble finding good information on, so i assume he didn’t write any classic master pieces) and as with The Saint in Europe, The Red and the Black and The Grand Mademoiselle this was published by Doubleday in 1953. Up until now i’ve considered Borderline Ballads by William Plomer to be the rarest cover in my collection but until i learn otherwise i think this one will move in as a new number one.

To sum it up i was very, very happy to find this at a price i could afford and it’s probably the most exciting find of the year for me so far!

Who-Cooked-Mother-Goose-Warhol-1 Who-Cooked-Mother-Goose-Warhol-2 Who-Cooked-Mother-Goose-Warhol-3 Who-Cooked-Mother-Goose-Warhol-4

 

The Red and the Black – Stendhal (Doubleday, 1960)

This was another find from the amazon bargain bin, although it took some digging to find it. First of all this was one that i had no idea about until i was tipped off by Guy Minnebach. As with The Grand Mademoiselle the fact that it was published by Doubleday might have caught my attention but just looking at the drawing i would never have guessed it was by Warhol.

Maybe it’s because i’m still a bit of a novice at browsing amazon but there are so many editions of this book (and a few others as well) and finding the right one can be quite difficult sometimes, it’s a bit of a guessing game. This one was listed as [unknown binding] or something like that and after to many emails back and forth with a couple of different sellers i finally got to see some images showing that i was on the right track. I actually found two, i first ordered this one at a whopping $5. Shortly after i placed the order i got a reply with images from another seller showing the same cover in what looked like slightly better condition and with a fair price of $20. That cover still had some issues though so i decided to stick with the one i had already ordered. It’s not in the best condition though, but it’s good enough. It’s a little beaten up all over and there’s some writing in the top left corner, but all in all i’d say that it’s an OK copy. At least the area with the actual drawing is mostly undamaged.

As opposed to the records where i’ve listened to everything that i have in my collection i haven’t read any of the books so far. Apparently this is a novel in two volumes written by Marie-Henri Beyle who used the pseudonym or pen name “Stendhal” and it was first published in 1830. Maybe i’ll get around to start reading the books but a few titles seem a bit “heavy” and on some the condition of the binding is also a little weak and i don’t want to cause more damage than necessary, so we’ll see…

Thanks again for the tip Guy!

The-Red-And-The-Black-Warhol-1 The-Red-And-The-Black-Warhol-2 The-Red-And-The-Black-Warhol-3

The Grand Mademoiselle – Francis Steegmuller (Doubleday, 1960)

I first noticed this book in a comment to a post on a blog that i can’t seem to find my way back to now… Prior to that i hadn’t seen it on any of the few sites that has information on Warhols dust jackets. I’m no expert on Warhol style and i doubt that i would ever have looked twice at this cover had i ever happened to see it somewhere. Maybe, maybe the fact that it was published on Doubleday would have caught my interest but who knows…

I’ve never seen it on ebay and i think i’ve seen one copy on Etsy but i don’t know what it sold for. So, a few weeks ago i found this on Etsy listed at just $10. At first i thought it was something wrong with it, like a different edition with the same cover or that there had to be something with the condition. But it looked more than OK and i couldn’t find anything else that seemed strange so i picked it up as fast as possible.

I’m not thrilled about the cover though, but that has more to do with the design than with the condition. There are no really big issues, some small smudges and some even smaller tears here and there but overall i’d say it’s in very good shape. I’ve never been a fan of these kinds of designs that combine styles or whatever you want to call it. For example i don’t really like the cover to I’m Still Swinging by The Joe Newman Octet which also has a kind of collage thing going on.

Whatever i think about the cover i was still happy to add it to my collection and to once again be able to find something deep down in the online bargain bin.

The-Grand-Mademoiselle-Warhol-1 The-Grand-Mademoiselle-Warhol-2 The-Grand-Mademoiselle-Warhol-3